A Synopsis of the Movie Fight Club Essay Example for Free

A Synopsis of the Movie Fight Club Essay The movie begins as Jack, the protagonist, is trapped in a state of insomnia by his job at calculating the cost of recalling a faulty car as opposed to paying court settlements to the relatives of the people killed by that car. He then recommends the one that seems less expensive. While he tries to argue with a doctor about how he can start sleeping, the doctor happens to make a sarcastic remark about how if he wants to see real pain he should go to a support group for men with testicular cancer. Jack takes this remark literally. It is there that he meets Bob, whom I shall describe shortly. Anywhere, he begins to find the support groups addictive, and attends more and more of them, and finds that they allow him to sleep. Soon after in the movie we find Jack meeting Tyler Durden on a plane trip, and when his apartment later explodes Jack meets Tyler Durden in a bar. Having agreed to let Jack stay at his house, Tyler asks Jack to punch him. He tells Jack this will make him feel that his life was indeed exciting, and Jack obliges. They begin to fight, and others begin to stand around, wanting to join as well. They gather together, protesting amongst themselves that society was trying to turn them into wimpy and uniform machines and preventing them from feeling like real people, constantly telling them that they need to buy all sorts of stuff that they only need because the advertisements said they did. Pretty soon there are weekly gatherings of these men, waiting for a chance to fight one another, and then they move into the basement of a local bar. More and more men begin to attend Fight Club with the express agreement that they would not mention it, and rumors begin to circulate of Clubs in other cities. Gradually Durden begins to make the Club more involved, giving out homework assignments such as to start a fight with a stranger and lose. Thus Jack finds himself watching as Durden institutes Project Mayhem, an outward attempt at changing society based on widespread attacks on coffee franchises and corporate artwork. Finally Durden plots to blow up ten major credit card companies, with the intent that to erase everyones debt would create chaos, and allow society to re- organize itself from that chaos. Many critics of the movie found it to portray antisocial behaviors as a valid way of expressing oneself. (Particularly if only the beginning and middle of this movie are looked at. ) They argue that its violence is there merely to draw an audience. This is supported by numerous instances of young men and boys vandalizing cars as was done in the movie or forming clubs of their own. Therefore many say that the movie succeeds in condoning what the ending condemns. They say that it promotes violence by making it seem so attractive in muck of the movie, regardless of the conclusion. With this argument in mind, we shall proceed with our analysis of the movie itself. One of the principal themes in Fight Club is its treatment of violence and its relationship with masculinity. The men in the film are portrayed as confronting a society which gives them little meaning and refuses to give them what they feel to be a birthright, a meaningful, productive place in society. Tyler Durden, the leader of Fight Club and the manifestation of the angry, alienated, and purposeless feeling, articulates this, Were the middle children of history, with no special purpose or place. We dont have a great war in our generation, or a great depression. The great depression is our lives. The great war is a spiritual war. We have been raised by television to believe that well be millionaires and movie gods and rock starsbut we wont And were learning that fact. And were very, very, pissed off. The men in this movie, having their traditional masculine role of breadwinner seemingly denied by feminism and left with meaningless corporate jobs compensate for this loss of masculinity and control by re-affirming their masculinity for themselves through the only masculine behavior they still can do: fighting. According to Jackson Katz: One way that the system allows working class men (of various races) the opportunity for what Brod refers to as masculine identity validation is through the use of their body as an instrument of power, dominance, and control. For working-class males, who have less access to more abstract forms of masculinity-validating power (economic power, workplace authority), the physical body and its potential for violence provide a concrete means of achieving and asserting manhood. Bob also fits this description of fighting as compensation for that sense of paralysis preventing men from being either a crucial part of society or being able to change it so that one can be. Through a combination of the treatment for testicular cancer and of increased estrogen as a result of his steroid use while a body-builder which Bob was left with unusually large breasts and left him with very little perception or himself as masculine or valuable to anyone. However, Bob later appears in the movie as a member of Fight Club, where he finds that once again he can act like a man and feel as if his masculinity is validated. Jack finds Durdens assertions that the men in their generation have no other way to express their individuality or to free themselves from materialism than to fight each other, and to use their fighting as a method of filling the void left by the removal of worthy roles for men in society. In the beginning of the film Jack is using mail-order catalogs, becoming so obsessed with buying whatever he sees advertised in them that his orders become an end to themselves. I would flip and wonder, What kind of dining room set defines me as a person? He became so obsessed with obtaining what he saw in the catalogs that he filled up his apartment with furniture and all sorts of other stuff he didnt need. This seems also to address the increasing assertion by advertisements that you can be defined and given a soul by acquiring products. Durden also spoke of this sort of cycle: Look at the guys in fight club. The strongest and smartest men who have ever lived and theyre pumping gas and waiting tables; or theyre slaves with white collars. Advertising has them chasing cars and clothes. A whole generation working in jobs they hate, just so they can buy shit they dont really need. He was alluding to the shackles that a culture based on acquisition has on its members, and inviting thes e members (namely men) to throw off the shackles and prove that they didnt need a better dining room set to define them. All they needed, he assured them, was to fight, and would show their humanity and masculinity through that. During another one of his outcries about the male relationship with society, Durden once came upon a designer clothing billboard featuring a muscular man in jeans and no shirt, and criticized it much like various critics of ads which use unrealistic shows of feminine beauty to sell products asked, Is this what a real man looks like? After smearing it with blood, he proclaims, Guys packing into the gyms, all trying to look like what Calvin Klein says. Fight club isnt about looking good. Susan Faludi, author of Stiffed: the Betrayal of the American Man calls this sort of ornamental masculinity a major factor in the Angry White Male mentality: The more I consider what men have losta useful role in public life, a way of earning a decent living, respectful treatment in the culturethe more it seems to me that men are falling into a status oddly similar to that of women at midcentury. The 50s housewife, stripped of her connections to a wider world and invited to fill the void with shopping and the ornamental display of her ultrafeminity, could be said to have morphed into the 90s man, stripped of his connections and invited to fill the void with consumption and a gym-bred display of his ultramasculinity. The empty compensations of a feminine mystique and transforming into the empty compensations of a masculine mystique. Douglas Rushkoff gives his account of the switch from a linear and continuous world to one that was non-linear and discontinuous. Before this switch, middle-class men were seen as valuable and benevolent authority figures who were a pillar of society and who always succeeded in bringing home food for the table because his work paid relatively well. The society felt that there was value also in acquiring as many new and technologically advanced possessions as possible, which allowed for the men to ensure that their wives would find it enjoyable to expend all of their energy at home, cooking and vacuuming and buying better things for cooking and vacuuming. In this way men were given the great majority of political power and respect. However, the awareness of the corruption in politicians lives from Watergate, the national confusion after a country was able to watch Kenn edy assassinated on TV, and possibly the most lasting of all, the first time that ordinary citizens were able to see combat in Vietnam on the nightly news, creating a much more suspicious outlook on the government and military, caused society to become discontinuous. The former male status symbol was gone along with continuity, replaced by gender equality which prevented men from using the feminine mystique to their advantage, making them less likely to have a dependent wife and family. They lacked that meaning which they had when they were providing for their offspring and mate, to put it in a biological concept, so their motivation to work was largely gone, with consumerism alone unable to fill the void. Their power having toppled, the male now tried to fill this void and prove that he indeed was still a man for society. Consumerism was unable to do that anymore, and so the male body itself, as Jackson Katz said, became the tool. This is shown by the film, in which Tyler Durden attempts to destroy the discontinuous society which tells him that he should not have this total control. This is shown by his completely anti-feminist outlook, particularly his meaningless sexual relationship with Marla Singer. Except for their humping, Tyler and Marla were never in the same room Jack relates. Tyler also describes a generation of unaggressive men raised by their mothers, that characterized his peers who grew up in a time of increased divorce rates and in turn grew up without fathers. The last thing we need is another woman. He gives reason to his masochistic fights and burns by saying that you could create pain for yourself, thereby hitting bottom. He describes it not as a painful and agonizing experience, but a turning point, where you are going to feel excellent after having your teeth knocked out no matter how bad your station in life is. And so Durdens scheme to create chaos which would then begin society anew, Rushkoff would say, actually was showing that he was trying to mold society around himself. Meanwhile Jack in the end renounces Tylers ideas of violent upheaval, instead deciding that he would accept society as discontinuous and use its discontinuity as part of his life. This film therefore shows the advantage in not letting what happens matter to you such as it would in a linear world. Edward Hermans perceptions of the film would be those of contradiction, largely centering around the fact that the movie is marketed and designed to make a profit, yet at the same time it criticizes the idea t hat you need to buy what society tells you to buy and that material goods are unnecessary to life. He might postulate that the companies had realized that a capitalistic message promoting conformity doesnt sell, and instead used and anti-capitalistic message of being skeptical of what society and everyone else tells you to make an even greater profit (much like Sprites paradoxical campaign which made fun of soft drink ads, then told people to buy Sprite). he would observe in short not that corporations indeed rejected themselves, but that they now make themselves even more effective by letting people pay to watch them pretend to do so. My own impressions of the movie are that along with its messages on corporations and their relationship with the identity crisis in American men is that it also offered a lot of information on the ultimate problem with taking violence as a way of demonstrating masculinity. This is especially apparent with Bob, who, managed to rediscover his manhood in Fight Club and in Project Mayhem, but was also killed while part of the latter. Following his death , he is spoken of by his comrades as if he had never been human. This is saying that to become part of violence unquestionably despite perceived acceptance and purpose is to swap one form of denial of yourself for another. Bibliography. Katz, Jackson/ authority on phenomenon of violence and its link to masculinity and cultural trends creating this phenomenon/ Advertising and the Construction of Violent White Masculinity This article discussed the use of violence by white men as a tool to regain power they feel to be lost to other groups. Discusses overuse of portrayals of violence and its symbols in advertising. Faludi, Susan/ author of Backlash and Stiffed: The Betrayal of the American Man, a contributing editor for Newsweek, The Betrayal of the American Man, At Ground Zero of the Masculinity Crisis, The Ornamental Culture, Beyond the Politics of Confrontation Newsweek, (09-13-99) Its Thelma and Louise for Guys, Newsweek (10-25-99) These articles discuss how men have reacted to the identity crisis from their loss of job status and expresses that much of it comes from a modern image of manhood impossible to attain and in the latter relates such phenomena to the film. Fletcher, Kim, Male Fantasies The Spectator (11-2 0-99) Much like Faludi in that it concludes that film is the result of male feelings of inadequacy in modern culture addressing the question of how to react. Rushkoff, Douglas/ author of Media Virus and Playing the Future among others content take from excerpts of Playing the Future This book describes the cultural evolution caused by the digital age and resulting in adopting non-linear thought and in chaos mathematics. Herman, Edward/ linguistics professor at MIT, comrade of Noam Chomsky The Propaganda Model Revisited from Capitalism and the Information Age This essay enlightens as to the role producers and reporters personal biases and more particularly of their desire for profit plays in how the media portrays certain events or whether they even mention certain events at all. Braun, Bill, Auto dealership vandal released after finishing bootcamp', World Staff Writer final home edition (date not given) This, among other articles, outlined or mentioned the violent and anti-social ef fects that the film seemed to have on the younger adults and adolescents, such as forming their own little fight clubs or vandalism. Uhls, Jim Fight Club screenplay available at http://geocities.com/scifiscripts/scripts/fight_- club_shoot.txt

On Achievement :: essays research papers

<a href="http://www.geocities.com/vaksam/">Sam Vaknin's Psychology, Philosophy, Economics and Foreign Affairs Web Sites If a comatose person were to earn an interest of 1 million USD annually on the sum paid to him as compensatory damages – would this be considered an achievement of his? To succeed to earn 1 million USD is universally judged to be an achievement. But to do so while comatose will almost as universally not be counted as one. It would seem that a person has to be both conscious and intelligent to have his achievements qualify. Even these conditions, though necessary, are not sufficient. If a totally conscious (and reasonably intelligent) person were to accidentally unearth a treasure trove and thus be transformed into a multi-billionaire – his stumbling across a fortune will not qualify as an achievement. A lucky turn of events does not an achievement make. A person must be intent on achieving to have his deeds classified as achievements. Intention is a paramount criterion in the classification of events and actions, as any intensionalist philosopher will tell you. Supposing a conscious and intelligent person has the intention to achieve a goal. He then engages in a series of absolutely random and unrelated actions, one of which yields the desired result. Will we then say that our person is an achiever? Not at all. It is not enough to intend. One must proceed to produce a plan of action, which is directly derived from the overriding goal. Such a plan of action must be seen to be reasonable and pragmatic and leading – with great probability – to the achievement. In other words: the plan must involve a prognosis, a prediction, a forecast, which can be either verified or falsified. Attaining an achievement involves the construction of an ad-hoc mini theory. Reality has to be thoroughly surveyed, models constructed, one of them selected (on empirical or aesthetic grounds), a goal formulated, an experiment performed and a negative (failure) or positive (achievement) result obtained. Only if the prediction turns out to be correct can we speak of an achievement. Our would-be achiever is thus burdened by a series of requirements. He must be conscious, must possess a well-formulated intention, must plan his steps towards the attainment of his goal, and must correctly predict the results of his actions. But planning alone is not sufficient. One must carry out one's plan of action (from mere plan to actual action).

About film Magnifico Essay

The film opens with the birth of Magnifico (also called Ikoy in the film). It is clearly discernible at the outset that the boy was born in to a rural poor family. His father, Gerry, is a carpenter but does not have regular employment. It was Gerry who christened him Magnifico because he enjoyed watching a magician by that same name. Magnifico’s mother, Edna, augments the family income by stitching embroideries. Their house is a dilapidated hollow-blocks-and-wood structure typical in rural Philippines. They were so impoverished that they could only prepare soup and noodles for the town fiesta. At one point Edna had to pawn her wedding ring so they could have food on their table. The story actually begins when Magnifico turned nine. His brother, Miong, has just lost his much-needed scholarship from a university in the capital city Manila. This was a heavy blow because Gerry pinned his hopes on Miong to save the family from poverty. His grandmother, Magda, who lives with Magnifico’s family, figured in a serious accident and had to be hospitalized. In the hospital it was discovered that Magda had pancreatic cancer. This was another backbreaking blow because part of Gerry’s meager income would now go to medical expenses. As if these problems were not exasperating enough, Magnifico’ sister Helen had cerebral palsy, which rendered her incapable of self-mobility and comprehensible speech. Burdened by such seemingly insurmountable difficulties, Edna lustily sighed, â€Å"life is a never-ending misery†. But whole throughout the film life proved to be a series of small marvels. When Magnifico heard whispers that his grandmother Magda would soon die and that his family was incapable of shouldering the sky-high burial expenses, he innocently devised a secret plan. Employing the help of his school buddy Carlo, he covertly began constructing a wooden coffin. For materials he asked scrap wood from a local woodcarving shop and borrowed carpentry tools from his neighbors. And together with Carlo, he sold iced water and juice at the town carnival, hoping to collect money enough for his grandmother’s funeral dress, flowers, and tomb. When their two plastic jars emptied, they ended up with 306 pesos (about 4 euros) in their hands. However this was way too low, considering that he needed at least 30,000 pesos (roughly 400 euros). Yet Magnifico never lost hope. Nor felt bad. He was determined to fulfill his mission even if he had to sell iced water and juice until kingdom come. For aside from toiling for her grandma’s wake, he was also saving for her sister Helen. He  promised to bring her to the town carnival so she could have a colored balloon and enjoy the merry-go-round and other fun rides. Since Helen could not walk, Magnifico resolved to use his money to rent a wheelchair from Domeng. On the day Magnifico and Helen would go to the carnival, Magda’s illness worsened. And since his parents had virtually nothing, Magnifico had to part with his 230 pesos to buy the requisite medicines. Armed with less than a hundred pesos in his pockets but with a lot of determination, Magnifico brought Helen to the carnival by carrying her on his back. The neighbors who saw Magnifico and Helen at the carnival showed them compassion. A guy who used to bully Helen for laughs drove them there. Two feuding neighbors each gave them 100 pesos for tickets to the rides. One ticket controller admitted them without charge, another gave them a huge discount and a vendor gave Helen a free balloon. Magnifico brought Helen around. He showed her the cotton candies, the ice cream, the works. Helen had the time of her life. When Domeng saw Magnifico hauling Helen on his back, he understood why Magnifico wanted to rent his wheelchair. Moved by what he witnessed, Domeng decided to give his wheelchair to Magnifico for free. So he arranged for Magnifico to get the wheelchair from his house. On his way to Domeng’s house, Magnifico was hit by a car and died instantly. The colorful coffin he built for his grandmother became the chest in which he was buried. MAGNIFICO AS A CHRIST-FIGURE Peter Malone defines the Christ-figure in films as â€Å"any purely fictional character who resembles Jesus, significantly and substantially†. This does mean that the character has to look like the conventional Jesus in church paintings or be named Jesus. The character does not even have to be Christian nor male nor sinless in order to be a Christ-figure. The Christ-figure is â€Å"neither Jesus nor the Christ, but rather a shadow, a faint glimmer or reflection of him†. Thus, for the Christ-figure to be authentic, the film character must mirror Jesus’ life in some way. When the film character’s life or at least some aspects of it make implicit, metaphorical representations of Jesus’ own life and values then he or she may be considered a Christ-figure. Hence, â€Å"the Christ-figure is a way of being led back to the Jesus of the Gospels†. Aside from being the son of a carpenter, the central dynamic of Magnifico’s story runs parallel to a variety of  Christ-story elements and situations in the Gospels. The film presents these elements and situations in both symbolic forms and in the day to day life and behavior of Magnifico. The following are some of the scenes wherein we can see Jesus peek through in Magnifico. a.) Magnifico serves others with love Magnifico is a film brimming with Christian themes, the most obvious of which is that of selfless love. Magnifico’s love for his grandma Magda, for his parents, for his brother Miong, for his buddy Carlo, and especially for his sister Helen is radically Christian and thus radically different from any experience of love these people have ever experienced from other members of their family and from their neighbors. Magnifico’s attentiveness to the feelings and needs of his ailing grandmother contrasts against Edna’s bitterness towards Magda. Edna regarded Magda’s illness and impending death as an unnecessary encumbrance to the family. Magnifico, on the other had, wanted to make her grandma’s apparent passing away as dignified and unburdensome as possible. He spent much of his free time making this mission into reality. Magnifico’s compassion towards Helen contrasts against Makoy’s bullying of the crippled girl. He never felt burdened by Helen even if he had to carry, entertain, protect and feed her often. He labored hard to secure a wheelchair for her and to give her the chance to have a â€Å"normal† life and enjoy the carnival. While doing all these, Magnifico never complained nor had any selfish reasons. All he cared about was the joy he could give to those he loved and to those who needed him the most. Such compassion and selfless desire to be of service to others positively manifests Magnifico’s role as a Christ-figure who came to serve not to be served and to give his life as a ransom for many. b.) Magnifico makes â€Å"miracles† happen There is a minor character in the film named Ka Doring. She isolated herself from people and lived in the cemetery because she felt more at peace being away from the crowd. She was always begrudging and her face perpetually frowned. Children made fun of her hoarse voice. In turn she would scare them off with threats and curses. Magnifico brought her a bottle of herbal medicine for her soar throat. At first Ka Doring suspected that Magnifico was just one of the kids who wanted to make fun of her so she threw the bottle away. Upon learning this, Magnifico brought her another bottle and this time Ka Doring drank a few gulps. Later on Ka Doring’s sore throat would go away. During the town fiesta, Magnifico also brought Ka Doring noodles cooked by her mother. Magnifico brought about healing in Ka Doring, both in the physical and in the emotional sense. For when her soar throat healed she was not anymore antagonistic towards the children who made fun of her. Another small miracle made possible by Magnifico concerned Helen’s speech impediment. Edna tried all she could to teach her daughter Helen to say even such simple words as Nanay (mother) but to no avail. There came a point when Edna’s patience was stretched too thin that she ended up hurting Helen physically. On the night when Helen would be brought by Magnifico to the carnival she miraculously began to talk. It was out of sheer joy that Helen began to utter words like â€Å"mother† and â€Å"carnival†. The total healing experienced by Ka Doring and the unsurpassable joy experienced by Helen which gave her the impetus to speak implicitly establishes that dimension of Jesus as healer and miracle worker. These two narrative frames dramatically highlights Magnifico as a Christ-figure. c.) Magnifico inspires forgiveness and reconciliation Magnifico’s christological identity is exteriorized not only in the small miracles he effected in Ka Doring and Helen but also in bringing about reconciliation between Miong and his girlfriend, between Edna and Magda, and between Tessie and Cristy. Miong broke his rich girlfriend’s heart when she learned that Miong only wanted to marry her in order to bail out his family from poverty. Magnifico encouraged his elder brother Miong to ask forgiveness from his girlfriend. Miong humbled himself and went to his girlfriend to reconcile with her. As has been noted above, Edna was always bitter towards Magda. But in the end Edna’s attitude towards her mother-in-law changed radically. It seemed that Edna’s heart suddenly melted when she saw her son carrying Helen on his back without a hint of displeasure or exasperation. The camera focused on Edna’s face and we see tears streaming down her cheek. Then she looked at Magda, and in their eye-to-eye contact it is communicated that now Edna understood the meaning of unconditional love. If her son Magnifico could carry the crippled Helen  with love, so must she bear Magda with patience and compassion. That night was the beginning for a new and better relationship between Edna and Magda. Tessie and Cristy were both jealous of each other. While Tessie was a perennial gambler, Cristy was a helpless rumormonger. They were neighbors but they didn’t talk to each other. In the carnival they each gave Magnifico one hundred pesos. Not conscious of the presence of the other, each waved and smiled at Magnifico and Helen. After which they discovered that the other was just nearby and they soon had eye-to-eye contact. For a brief moment it seemed that their mutual hatred for each other had gone away for the better. It seemed that at last they were initiating a new way of being neighbors. Except for his brother Miong, it was not a conscious effort on the part of Magnifico to bring warring people to reconcile. Yet it seemed that every contact with Magnifico was life-changing and inspiring. These people were moved to ask pardon, to forgive and reconcile not so much by what Magnifico did as by his manner, his way of being and loving, which formed a luminous evidence to his being a Christ-figure. d.) Magnifico carries his own cross, dies and brings about redemption To start building his grandma’s coffin Magnifico and his devoted friend Carlo went to a woodcarving shop and asked its owner for scrap wood. On their way home they carried a long wooden plank on their shoulders which paralleled to that part in the passion story when Simon of Cyrene helped Jesus carry his cross. Whole throughout the movie Magnifico would be seen carrying something – a bottle of herbal medicine and some noodles for Ka Doring, a basin of vegetable for his family’s lunch, plastic jars for iced juice and water, a pouch of money to buy medicines for his grandma Magda, a brush to paint her coffin, and Helen on her back. These were his little crosses. These bespoke of his immense determination to be a person for others. And such involving scenes were essentially Christlike in their execution, content and effect. The life of Magnifico was cut short. He was on his way to meet Domeng to get the wheelchair for his paralyzed sister when a vehicle hit him. He died just like that. He must have been too excited to see Domeng on the other side of the road that he failed to notice the speedy cars. Up to his last breath Magnifico was always on the move to be of service to others. Symbolically his death poignantly conveys that, like Christ, he was willing to lay down his life for others. It was a kind of poetic justice – his death empowered  others to new life. This new life began for the family he left behind. Everyone who knew him attended his funeral. It was such a sad moment. The burial donations the family received totaled 31,105 pesos. When he was still alive Magnifico hoped to raise as much as 30,000 pesos. Ironically, this was to be accomplished in his death. Because of it Edna was able to redeem the wedding ring she pawned. And because of it they had something to restart on financially. Hence, the money became a metaphor of redemption for his family. One recurring symbol used throughout the film was the Rubik’s cube which Gerry tried to solve for at least a year. His failure to solve it symbolized his family’s lack of accomplishment in delivering themselves out of poverty, despair and misery. After one problem piled after another Gerry could not bear it any longer and threw the Rubik’s cube out of his sight. After Magnifico’s death, Gerry discovered that Magnifico had solved the Rubik’s cube, putting everything in its proper place. This was so symbolic of what Magnifico did for the people around him – he united his family, reconciled feuding neighbors, brought about healing to the sick, gave joy to the handicapped – in short putting their lives and their relationships in their proper place. Thus, in effect Magnifico became the Good Shepherd who died so that others may have the fullness of life.

Ambition in Your Life - 1258 Words

Ambition a passion that never fails you and will never let you fail it, and this is why it will ultimately cause the downfall of the individual. In the novel Frankenstein and in the Play Macbeth, ambition is the main theme in these two pieces. Both Victor and Macbeth had great dreams of accomplishing certain things that defy a higher order. Ambition drove both of them to strive for what they want and never give up on their dreams. Ambition without doubt help or even single handling brought Macbeth and Victor to their dreams. Ambition is the best quality that a person can have, it allowed Victor and Macbeth to achieve what they always wanted. Whatever can bring you to the top, also has the power to make you fall harder then you fell before,†¦show more content†¦The monster should not be blamed because victor crossed the line of trying to better human kind and playing God. He created this hideous and ugly monster that no one can possibly love and abandoned it and left it to di e. The actions of victor can also justify the actions of the monster. If victor actually took the time in thinking of what he was doing, he would’ve realized the mistake he was making. He made another mistake right after making the first one. He gave this monster life and limitless power and intelligent, obviously this monster can survive and cause great harm to him and his love ones. If he actually stayed with the monster and taught him how to live and act towards other beings, things would’ve of turned out totally different. Macbeth experienced the same exact lines of events and feelings that victor did in his life. If Macbeth thought of the acts that he was committing, he would’ve of realized that the only thing he is accomplishing in killing the king, is damning himself, his only loved ones. It is obvious that if he committed this act of betrayal and defiance of a higher order, only bad can occur from this. He didn’t realize this right after this act just like victor. He continued to do wrong because of his ambitious mind, which Victor also experienced. He continued acting on his relentless ambition to secure his throne and his undying passion to seek happiness which at the time was being king for him. Which wasShow MoreRelatedAmbition Essay708 Words   |  3 PagesAmbition is a strong desire to do or achieve something. Many people view ambition as a positive aspect, many do not. The great things that people have accomplished are driven by ambition. Yet, too much ambition can drive someo ne to have very destructive actions. Ambition is a negative trait based on the fact that it gives you a careless attitude and gets you wealthy but not exactly satisfied. Ambition can cause you to be self-absorbed and give you a careless attitude toward your family or the importantRead MoreMy Ambition In Life Essay To Become A C1082 Words   |  5 PagesMy ambition in life essay to become a collector Free Essays on My Ambition In Life To Become A Collector for students. 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Ambition is a positive trait and it pushes you to achieve your goals, without ambitionRead MoreImportance of Ambitions in Life Essay526 Words   |  3 PagesImportance of Ambitions in Life Ambition is defined as a strong desire to obtain success, power, or riches or as something that you want very much to do or to obtain. Having an ambition represents everything to many people. The only purpose in a man’s life is fulfilling his dream, because am ambition can be associated with a dream. And if this dream doesn’t exist you can’t say that you have lived your life to the full. In the moments of solitary meditation when weRead MoreExamples Of Ambition In Fight Club1294 Words   |  6 PagesI am Jack’s complete lack of ambition. Ambition can have a massive impact on an individuals life, whether it be in a positive or negative way. Throughout Chuck Palahniuk’s novel Fight Club, we see the character development of a nameless narrator who we call jack. Jack has almost no ambition at the beginning of the story. He works a job that he hates so that he can buy items he doesnt need, with hopes that one day this will complete his life. Further into this story we meet a character by the nameRead More The Nature of Ambition Essay1043 Words   |  5 PagesThroughout history, ambition has been a driving force both for individuals and society. Ambition is an eager and sometimes an exorbitant desire for elevation, honor, power, supremacy or simply the achievement of something. The origin of this word comes from the word â€Å"ambicioun† and expla ins the yearning for money and wealth or power in general. Ambition is basically an instinct. No matter what background or age you are, you are surely ambitious in any way. This eagerness is not only a drivingRead More Ambition Determines the Fate of Characters in Shakespeares MacBeth766 Words   |  4 PagesAmbition Determines the Fate of Characters in Shakespeares MacBeth What a person craves for herself often determines her fate. The ambition of three characters in the play MacBeth was a key factor in the outcome of their fate, MacBeths ambition for the throne of Scotland, Lady Macbeths ambition for her husband to have power, and Banquos lack of ambition for himself. These intentions all determined the fate of these characters, as well as the outcome of the play. Being named Thane ofRead MoreThe Character Of An Individual s Ambition On Self And Others1600 Words   |  7 Pagesdeveloped by the text creator in your chosen text about the impact of an individual’s ambition on self and others. Ambition is devil’s creation. Ambition is an admirable trait that enabled famous writers and scholars to attain an unbelievable greatness. However, highly ambitious people often end up failing because they are unable to fill up an insatiable hole of greed that leads them to constant frustration and dissatisfaction. Just as an excessive ambition can start with malice, it canRead MoreAmbition: To What Extent Is Best? Essay518 Words   |  3 Pagesâ€Å"Ambition is the germ from which all growth of nobleness proceeds† - Ambition is the start of a journey that will help one achieve success in life. Having a desire to attain something requires strong ambition; it is an essential quality for human kind, but to some extent. It helps to reach a significant goal in life, but at the same time becoming too ambitious to obtain a desire is harmful. Basically, just like a coin has two sides, ambition also has two sides; optimistic side and a pessimistic sideRead MoreEssay on The Three Witches in Macbeth98 4 Words   |  4 Pagesand in the end, he was the one who made the final decisions. The witches could see the future, they could add temptation, and influence Macbeth, but they could not control his destiny. No one can change the destiny of ones life nor can anyone tell the destiny of ones life. Macbeth creates his own sadness when he is driven by his own sense of guilt. He realized what he did was immoral and he cant stand the thought. This causes him to become insecure about his actions which causes him to commit more